marksimpson.com

The 'Daddy' of the Metrosexual, the Retrosexual, & spawner of the Spornosexual

Menu Close

Tag: bisexual

I Can. I Will. Be Bluetiful.

James Dean, the lost bisexual love-object of the 1950s, famously denied being homosexual, but explained that he ‘didn’t want to go through life with one hand tied behind his back.’

Probably it’s just because I have a weak spot for Lee Ryan, the cheeky blue-eyed Essex boy who sings in a dreamy falsetto – and I know this makes me deeply unhip – but I rather like Blue’s ‘I Can’, the UK’s entry for next week’s Eurovision Song Contest. I hear in it a kind of metrosexual anthem, about men expressing things and having experiences that they really weren’t supposed to until recently.

Untying that hand – and waving it around a lot in time to the music.

 

I can

I will

I know

I can untie these hands

Boybands played an important role in the spread of metrosexuality, with Take That most famously evangelising the male desire to be desired in the 1990s, turning a generation on to the charms of pierced nipples, leather harnesses and eager male sex-objectification. It seems none of Take That were, despite the many rumours, gay. But Take That as a band were very gay indeed. Their gay manager took the gay male love of the male body and sold it to millions of teen girls – and boys. All that baby oil helped loosen up ideas about masculinity.

London crooners Blue were in many ways the slightly more boring Noughties successor to the tarty Manc lads. Duncan James famously came out as bisexual a couple of years back, making him one of a very small club of out celeb bisexual males (so small I can’t think of any others off the top of my head).

But it’s not as if the others, especially Lee, are acting particularly hetero in this video for ‘I Can’. At the beginning Lee appears to be shagging Duncan from behind, though never losing eye-contact with the camera of course. And in fact a year ago he admitted/boasted to having had MMF threesomes with Duncan, whom he ‘loves to bits’.

When I first began writing about the subject in 1994 I talked about metrosexuality being the male compliment of female bi-curiousness (then called ‘lesbian chic), but quickly shut up about it when I realised no one wanted to hear that. And while metrosexuality did in some ways culturally stand in for male bi-curiousness – it’s his jeans not his ass I fancy – by encouraging an awareness of male beauty and attractiveness amongst men in general it ended up making the expression of male bisexuality/bi-curiousness much easier. ‘I can’.

Blue recently did a homoerotic, Du Stade type nude shoot for Attitude magazine (with Lee looking by far the most saucy), and have promised another one if they win Eurovision. Those hands have been untied already.

So much so that when the foxy ladies join them at the end of the video, and the heavens open, suggesting perhaps some kind of pan-sexual gang-bang, they don’t really convince as objects of the camera’s gaze – next to the full-wattage metrosexiness of Blue.

 

POSTSCRIPT

I’m obviously a bit slow this week. It’s only finally dawned on me what’s going on with the lady dancers in the video.

They’re Blue’s ‘feminine side’. All tied up in bondage at the start of the video they end up ‘untied’ and freely mingling/merging moistly with the boys.

The Homosexual is 140 – And Showing His Age

Karl Maria Kertbeny

The father of the metrosexual on the father of the homosexual – and the birth of the  ‘-sexual’ era

(Out, September 2009)

As you may have noticed, the out-and-proud modern gay, born amidst protest, shouting and flying bottles outside the Stonewall Inn in 1969, is now forty years old. But you may be less aware that this year is also the 140th birthday of a much more discreet and distinguished (if pathologized and sometimes pitiful) figure that Stonewall is often seen as making obsolete:

The homosexual.

The offspring of Austrian-born Hungarian journalist Karl-Maria Kertbeny, the homosexual was delivered to the world in a couple of pamphlets he published anonymously in 1869 arguing against the Prussian anti sodomy law Paragraph 143 – the first appearance in print of the word.

Kertbeny argued that attraction to the same sex was inborn and unchangeable and that besides, the law violated the rights of man: men should be free to do with their bodies as they pleased, so long as others were not harmed. Kertbeny maintained strenuously that he himself was ‘sexually normal’ (and there is no evidence to suggest otherwise, save perhaps his strenuousness).

Kertbeny’s ‘homosexual’, itself a disapproved conjugation of Greek and Latin, was part of a larger classificatory system of human sexual behaviour he conceived which included quaint terms such as ‘monosexuals’ (masturbators), and ‘pygists’ (aficionados of anal sex), most of which have not survived. However, another of his quaint categories has persisted and ultimately proved even more popular than the ‘homosexual’: the vast majority of people in the US today would happily and perhaps rather too hastily describe themselves as ‘heterosexual’ – despite the fact that the ‘father’ of heterosexuality, as Jonathan Ned Katz has pointed out in ‘The Invention of Heterosexuality’ (1995), seemed to conceive of heterosexuals as more sex-obsessed than homosexuals and more open to ‘unfettered degeneracy’.

Words like most offspring have a life of their own of course, and in this case one that worked against the coiner’s intentions. Despite Kertbeny’s libertarian if not actually homo-chauvinist sentiments, we might never have heard of the ‘homosexual’ (or indeed the ‘heterosexual’) if the word had not been adopted by Richard von Krafft-Ebing a few years later as a diagnosis for mental illness, setting the medical tone for much of the coming Twentieth Century with its aversion therapies, sex-lie detectors and psychiatric water-boarding.

Kertbeny’s double-edged legacy isn’t just the coining of the word ‘homosexual’, but helping to invent ‘sexuality’ itself: the very modern idea that there are different species of people constituted by their sexual preference alone – ‘heterosexuals’ and ‘homosexuals’ (and ‘bisexuals’ as an exception-to-prove-the-rule afterthought). Kertbeny invented the homosexual because he considered the other available terms, ‘pederast’, ‘sodomite’ and ‘invert’ too judgemental. He also saw no link between homosexuality and effeminacy – which he didn’t mind being judgemental about: he detested it.

As the brilliant sexual historian David Halperin puts it in his book ‘How To Do the History of Male Homosexuality’ (2002), pre-homosexual discourses referred to only one of the sexual partners: the “active” partner in the case of sodomy; the effeminate male or masculine female in the case of inversion. ‘The hallmark of “homosexuality”…’ he writes, ‘is the refusal to distinguish between same-sex sexual partners or to rank them by treating one of them as more (or less) homosexual than the other.’

The concept of the ‘homosexual’, medicalized or not, ultimately made possible the rise of the out-and-proud gay man, regardless of his own ‘role’ in bed or gender style, and also a gay community of equals. But it also tended to make all sex between men, however fleeting, however drunken, however positioned, ‘homo’ – along with all the participants, regardless of their sexual preference.

With the paradoxical result that there’s probably now rather less erotic contact – or in fact any physical contact at all – between males than there was when the homosexual was born, 140 years ago. The homosexual, in effect, monopolised same-sex erotics and intimacy.

Which is, frankly, a bit greedy.

This essay is collected in Metrosexy: A 21st Century Self-Love Story